The sculptures, for example the series YNISVITRIN (glass island), are variations to the theme luminescent landscapes and are both transparent and luminescent.

These miniature luminescent landscapes have transparent glass modules, which are moved over electrified luminescent panels thus activating the color. These panels are a first-rang art sensation because for the first time in the history of art color is not simply used as a reflecting element but rather as an element that actively emits light.

The fascination of these miniature sculptures bases on the eminent aesthetic spectrum inherent in YNISVITRIN, which is a combination of mythical inspiration and electronic realisation culminating in an object which is unequaled for its ingenuity and artistic quality.